If you don’t like the result, try the other layout options.
MANUALLY STITCH PANORAMA PHOTOSHOP HOW TO
Photoshop is usually good at figuring out how to stitch the images together. You have some layout options in the left column and some checkboxes at the bottom.Īlways start with the Auto layout option on the left. Screenshot of the Photomerge window in Photoshop showing panorama options. If you have opened the files from Lightroom, the individual files should already be listed. If the only files you have open in Photoshop are those you want to merge, then select ADD OPEN FILES. You have some options in the Photomerge window. Screenshot showing the procedure for opening the Photomerge window in Photoshop. If your files are already in Photoshop, select the FILE drop-down menu then AUTOMATE. Screenshot showing the procedure for merging panoramas in Photoshop from Lightroom. This will take you to the panorama options screen in Photoshop. Select EDIT IN and click MERGE TO PANORAMA IN PHOTOSHOP. Select photos and choose the PHOTO drop-down menu. If your files are in Lightroom, there is a special export to panorama option. Making panoramas takes a lot of processing power. I’d suggest closing any other open files. Once you’ve decided which images you want to stitch together, open them in Photoshop. Now that you have images let’s move on to how to stitch the pictures together in Photoshop. My settings were 0.8 seconds at f11, ISO400. I wanted a wider angle than my lens could deliver. I created this panorama in the Smokey Mountains from three images. Lock in these settings before you take the panorama images.
MANUALLY STITCH PANORAMA PHOTOSHOP MANUAL
Once you decide on camera settings, switch everything into manual mode. Use the focal length, focus, exposure, and white balance of this image as the standard. Before you start taking a panorama, take one image in the centre of the panorama. I’d rather have too many images than too few, but Photoshop will need some separation between the images. I try to find natural landmarks that guide my overlaps. Overlap frames by a 1/3 to 1/2 – about 40%. Any curve between images, even a few degrees, will show in the panorama. It’s a good idea to use a tripod and make sure it’s level. My settings were 1/2 second at f11, ISO250.
I created this landscape-oriented panorama from four images created in portrait orientation. But portrait orientation captures more vertical information. This seems counter-intuitive since your final product will be in landscape orientation. Shoot the images in portrait orientation. You’ll need to plan the panorama in advance. Let’s start with the most challenging part, creating the component images.Ĭreating a successful panorama depends a lot on how you’ve shot the individual images. The process of stitching many smaller images into one larger image is easy. I’ll focus on creating a landscape panorama since that is the most popular type. In this article, I’ll show you how to create a panorama in Photoshop. My settings were 1/30th of a second at f16, ISO160. Then I stitched pictures together to create a vertical panorama. A vertical, 4-image panorama of storm clouds in the American Midwest. You can also create panoramas to get a wider angle than your lens will allow or to create a larger file size. I sometimes stitch pictures together in Photoshop to make creative distortions. But panoramas can be vertical as well as horizontal and they can be any size.
We usually think of panoramas as long, thin landscapes. 10-image panorama of the Chicago skyline. The image below is a 10-image panorama of the Chicago skyline. Related course: Fantastic Photo AdventuresĬreating a Photoshop panorama is easy once you know the steps.Ī panorama is a picture made up of smaller images.
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